In conversation with Sian Bliss
“I just hope that I can inspire the next generation to do what they love and to express themselves through creativity.”
- Sian Bliss
Sian Bliss. Olivia at YellowBelly Studio
London based visual artists, Sian Bliss creates dreamscapes across both digital and traditional mediums with boundless excitement, capturing the essence of her imaginative vision.
Drawing from a background in animation and performance, Sian has paved her own way in the world of large-scale public art. While she's formally trained in animation, Sian's true passion lies in the liberating spontaneity of working freehand, allowing her creativity to flow naturally. This approach often yields enchanting and surprising results, whether she's diligently crafting animations and sculptures in the studio or painting outdoors.
Raised amidst the tranquility of rural Wales, Sian draws inspiration from the harmony of nature. Yet, she's equally invigorated by the vibrant rhythm of bustling life in London too. For Sian, the essence of art lies not solely in the finished piece, but in the magic of the creative process itself. Whether she's meticulously planning her next masterpiece in the studio or surrendering to the whims of her imagination while painting a mural outdoors, you'll likely find her accompanied by her loyal sidekick, Nanu the dog.
How did your journey into art begin?
From the moment I could hold a pencil, I've been irresistibly drawn to all forms of creativity. I’ve been drawing and painting for as long as I can remember, nurtured by a family that values creativity and entrepreneurship. Growing up in rural Wales, with its natural beauty and lack of distractions like mobile phone reception or Wi-Fi until recently, provided the perfect environment for honing my artistic skills. Even at a young age, I was actively involved in expressing my creativity, I was picked to design the village logo when I was just 8 or 9 years old.
How would you describe your artistic style? Is there are recognisable characteristic that defines it?
My artistic style is a vibrant tapestry of colourful, melty and dreamy expressions, resonating with bright tones that illuminate my work. Utilising multiple media, from animation to freehand painting, I strive to infuse each piece with energy and vitality. Best appreciated at scale, my work blooms in large spaces and public places, inviting viewers into playful realms where the possibilities are as boundless as the imagination.
Your work has been displayed throughout the city. What messages and themes do you aim to communicate in your art, and how has this evolved over the years?
In both my art and especially in my public works, which I've been incredibly proud to showcase in my beloved hometown of London, I aim to convey messages of imagination and hope, themes that have remained at the core of my artistic journey over the years. Each piece serves as an uplifting invitation to escape into other worlds, where optimism reigns supreme. It's a celebration of the power of imagination, inviting both children and adults alike to explore realms where anything is possible. As my career has evolved, so too has the depth of these messages, as I continue to explore new avenues for spreading positivity and joy through my art.
Can you tell us about your latest commission at Chelsea Fire Station on the King’s Road?
This commission stands out as one of the most rewarding experiences of my career thus far. Spanning a monumental 30 by 4 metres, the canvas adorning Chelsea Fire Station serves as a dynamic platform for artistic expression, where a new artist is chosen to paint it each season. What sets this project apart is the opportunity to create in full view of passersby along the bustling King’s Road. Witnessing the drawing come to life in real-time has sparked captivating conversations and interactions, with children eagerly contributing their ideas as they journey to school. The Fire Station artwork, facilitated by Sloane Stanley, not only provides a showcase for local artists but also infuses the community with a touch of magic. As the seasons change, so too does the artwork, ensuring that there's always something fresh and exciting to anticipate. Keep your eyes peeled for the next instalment arriving this summer.
Photo by Josh Atwood.
What inspired the creation of this particular work?
In its simplest form, my muse is food. This painting encapsulates the daydream that arises when someone poses the question, "Do we have time for a snack?" or "What do you want for lunch?" Drawing inspiration from the abundance of nature's bounty, from growing fruits to the ingenious creations humans craft from them—be it wheat transformed into croissants or other delectable treats—it serves as a heartfelt homage to the pleasures of dining. Rooted in admiration for the myriad food shops, restaurants, and bakeries that grace the surrounding area, it's also a love letter to the vibrant culinary scene of London itself.
What kind of experience do you envision for visitors engaging with your art?
I hope that it will bring people joy, delight, and a little appetite. I hope it makes people giggle, and even feel like painting something themselves. The work isn’t pretentious, it’s inviting and it’s meant to be fun and a burst of sunshine on the rainier days of spring.
Have any past or present artists served as sources of inspiration for your work? Absolutely, I find inspiration in a wide array of artists, both past and present. I am quite inspired by religious art, such stained glass windows and “tableau scenes”. Music plays a significant role in my creative process, serving as a catalyst for my work. Whether it's the upbeat rhythms or the emotional depth of love songs, musical influences often find their way into my creations. One animated film that particularly resonated with me is "Destino," a captivating collaboration between Salvador Dali and Disney, which ultimately led me to pursue animation school. It’s surrealism, delicate sound design, and fluidity left a lasting impression on me. Additionally, I greatly admire the imaginative worlds crafted by Saya Woolfalk, finding inspiration in her visionary work.
Photo by Josh Atwood.
Throughout your artistic journey, what has been the most rewarding moment for you?
I've been fortunate to experience some remarkable milestones, like being accepted into the prestigious CalArts Experimental Animation Program, known for its selective admissions process. Additionally, working on significant projects in London, such as those at Wembley and Chelsea, has been truly rewarding. However, what brings me the greatest joy is seeing how kids react. Being able to inspire and make a positive impact on their young minds is just the best feeling ever! I just hope that I can inspire the next generation to do what they love and to express themselves through creativity.
What has been the most significant lesson you’ve learned about yourself, your abilities, or life in general, during your career?
The most significant lesson I've learned throughout my career is the importance of recognising my limitations and being open to asking for help. It's okay to admit that I can't do everything on my own. Additionally, I've come to understand the joy in sharing my work with others, even if I'm critical of it myself. Someone else may see it differently and appreciate it in ways I couldn’t even imagine myself. I've also realised that waiting for perfection is paralysing and, in the past, it has prevented me from taking action all together. Instead, I'm learning to embrace the process and find joy in the journey, rather than fixating on the outcome.
Are there any noteworthy upcoming projects you can discuss at this time?
I'm currently diving into some exciting new projects, some of which I can't talk about just yet... Stay tuned on Instagram for all the updates. One project close to my heart is an art book I'm crafting about the journey through grief and loss. It's going to be a blend of illustration and text, quite dreamy and heartfelt, and you'll be able to buy a copy through my website once it's ready.
The [Quick] #FLODown:
Best life advice?
Take one evening a week to really think about your own personal hopes and dreams, aside from any influence from any friends, family or romantic partners. Write down your thoughts and wishes for your life and read them back when you’re feeling lost. In life there’s lots of ups and downs, wins and losses, but with this you can see your own journey and make sure you are truly living for you, and honouring who you are.
Last song you listened to?
Happiness - Sarz, Asake & Gunna
Last book you read?
The Alchemist - Paulo Coelho
Can't live without...?
Chocolate and of course, my dog, Nanu.
What should the art world be more of and less of?
More silliness and less seriousness.
Sian Bliss's 30 by 4 metre canvas, installed at Chelsea Fire Station on the King’s Road, is currently on display.
Website: sian-bliss.com
Instagram: @sianbliss
Facebook: sianbliss
LinkedIn: sianbliss
