Alexandra Steinacker-Clark picks her top pavilions to see at the 61st Venice Biennale 2026, from Merike Estna’s Estonian Pavilion to Florentina Holzinger’s widely discussed SEAWORLD VENICE for the Austrian Pavilion…
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Goliath’s work was originally selected to represent South Africa at the Venice Biennale Arte 2026, before being cancelled by Minister Gayton McKenzie on the grounds that its content was deemed too “divisive”. In this iteration, references to the Israeli war on Palestine and the killing of Palestinian poet Hiba Abunada are made, leading to the censorship of Elegy in the official South African pavilion…
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It’s an ideal exhibition to learn about Michaelina Wautier as a painter, but it is also an exhibition incorporating a multitude of artistic movements and contexts within art history, a woman’s position in art historical discourse, and technical processes like pigment usage and theories of colour….
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Cannon Fodder is Branconi’s first solo exhibition in an institutional space. For the show, she created a series of new paintings, including a large installation that visitors can physically walk through...
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A review of Rose Wylie: The Picture Comes First at the Royal Academy of Arts, London examines the first solo exhibition by a British female artist in its main galleries, tracing Wylie’s use of memory, wartime imagery and everyday references across large-scale paintings and intimate drawings…
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