Posts tagged artreviews
Frieze week's new art fairs reviewed plus one on the move

Frieze week brought more than Frieze itself to London this October. A run of new art fairs debuted across the city, each with its own model, its own price bracket and its own idea of who it was for. Minor Attractions also returned for a fourth edition, this time in a new venue. We asked Darren of London Art Roundup to provide a short synopsis of each

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The Bayeux Tapestry at the British Museum review

There is no doubt the temporary loan of the Bayeux Tapestry to the British Museum is the once-in-a-lifetime experience to rule them all. Meticulously stitched by hand by talented women, the embroidery has never returned to English soil in over 900 years since its creation around the 1070s. Although many worried for its fragile condition, visitors lucky enough to bag the £33 ticket…

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James McNeill Whistler at Tate Britain review

To this reviewer, the American-born James McNeill Whistler will always be a printmaker first, a painter second. Alongside his brother-in-law Francis Seymour Haden, who compiled one of the first catalogues raisonnés of Rembrandt's prints, the pair contributed heavily to the Etching Revival in 19th-century Britain. To everyone else, however, Whistler is the painter of…

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Four essential works from The Face of Life: Modern Portraits at the Met

Nestled in the heart of New York, the Metropolitan Museum of Art’s current exhibition, The Face of Life: Modern Portraits, features 80 portraits that capture the rapid transformations and shifting identities of the 20th century. The exhibited artists include Marsden Hartley, Gino Severini, Otto Dix, Max Beckmann, Leonora Carrington, Elizabeth Catlett, Yasuo Kuniyoshi, René Magritte, Henri Matisse, Joan Miró, and others…

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Top 5 national pavilions to see at the Venice Biennale 2026

The 61st Venice Biennale opened on 9 May 2026 in Venice, with this year’s edition shaped around In Minor Keys, a curatorial theme conceived by the late Koyo Kouoh. The Biennale once again transforms Venice into a sprawling international exhibition, with more than 80 national pavilions taking over the Giardini, the Arsenale and sites across the city. Sofia, our arts contributor, picks her five standout national pavilions from this year’s edition.

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Elegy by Gabrielle Goliath at Chiesa di Sant’Antonin, Venice, review

Goliath’s work was originally selected to represent South Africa at the Venice Biennale Arte 2026, before being cancelled by Minister Gayton McKenzie on the grounds that its content was deemed too “divisive”. In this iteration, references to the Israeli war on Palestine and the killing of Palestinian poet Hiba Abunada are made, leading to the censorship of Elegy in the official South African pavilion…

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A review of Michaelina Wautier at the Royal Academy of Arts, London / Kunsthistorisches Museum, Vienna

It’s an ideal exhibition to learn about Michaelina Wautier as a painter, but it is also an exhibition incorporating a multitude of artistic movements and contexts within art history, a woman’s position in art historical discourse, and technical processes like pigment usage and theories of colour….

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