In conversation with Helena Samarasinghe

With a background as an athlete, Samarasinghe draws on sport as a framework for thinking through identity, effort and embodied experience. In this interview, she reflects on the processes behind the work, from repetition and “muscle memory” in her mark-making to her ongoing interest in visibility, connection and what it means to hold the body in motion through art…

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Hotel Adlon Kempinski Berlin review

Located at the eastern end of Unter den Linden, close to the Reichstag, the Tiergarten and Germany’s political centre, Hotel Adlon Kempinski Berlin occupies one of Berlin’s most prominent addresses. Despite the constant movement outside, with tourists, officials and traffic passing through the area, the atmosphere inside is notably calm, composed yet fantastically grand…

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Elegy by Gabrielle Goliath at Chiesa di Sant’Antonin, Venice, review

Goliath’s work was originally selected to represent South Africa at the Venice Biennale Arte 2026, before being cancelled by Minister Gayton McKenzie on the grounds that its content was deemed too “divisive”. In this iteration, references to the Israeli war on Palestine and the killing of Palestinian poet Hiba Abunada are made, leading to the censorship of Elegy in the official South African pavilion…

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Art exhibitions ending in London this May 2026

May will see the end of several impactful exhibitions that opened in London since the start of 2026, from a landmark survey of modern Nigerian art at Tate Modern to the British Museum’s Samurai, which reconsiders Japan’s warrior culture through armour, objects and popular culture. At the Barbican, two of its exhibitions will also come to a close, alongside experimental shows…

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